Get your novel out of your head and onto the page!
Do you want to write a novel but you're not sure where to begin? Have you started a novel, only to find yourself feeling lost? Has your story hit a brick wall? Do you feel that you're missing some of the tools you need to write or finish a novel?
Then this class is for you! In this course, you'll learn from a New York Times bestselling author with more than a decade of experience teaching creative writing at the graduate level.
In this course, you'll learn:
-how to write an opening chapter that hooks the reader and establishes the novel's ground rules
-how to create characters who live and breathe on the page
-how to choose the best point of view for your novel
-how to vividly depict the physical world of the story
-how to make every chapter buzz with suspense, no matter the genre
WHAT YOU'LL GET
Course Structure: This course includes five modules. Each module consists of instructional videos, written lectures, an assignment, and discussion forums. When you enroll, you receive immediate access to the first module. You'll receive a new module each week. You can access your course at any time, from any device. Students may also submit questions for video response by the instructor.
Goals and Outcomes: You will leave this class with a clear understanding of how to write a novel. You'll get a firm grasp on key elements of narrative craft that make up a novel: characterization, point of view, setting and description, and suspense. You'll write your opening chapter and several scenes and chapters.
Who will benefit from this course? This course is suitable for writers who want to begin a novel or continue work on a novel-in progress. No previous workshop experience is required.
This course is the first course in the Novel Writing Master Class Series.
The next course in the series is Novel Writing Master Class 2: Dialogue, Structure, Theme and Voice, Revision, & Novel Endings.
If you already have a clear understanding of narrative craft and want to focus solely on plot, enroll in Novel Writing Master Class 3: PLOTTING THE NOVEL.
A NOTE FROM MICHELLE
How much time have you spent wanting to write a novel? How much time have you spent wishing your manuscript would come together? How often have you felt that you've written yourself into a corner, or that you have a great idea but you just can't quite figure out the best way to tell it?
When I completed my MFA program in the late nineties, I had a few published stories but no idea how to write a novel. I had learned craft at the micro level, as so many MFA students do, analyzing short stories line by line. What I hadn't learned was how to construct a novel, how to tell a long story that would draw readers in and keep them turning pages.
I designed this course based on my experiences writing and publishing five novels,as well as teaching for many years in Masters of Fine Arts programs in Creative Writing. I've written a novel that quietly fizzled, selling fewer than 10,000 copies, and I've written a novel that sold more than half a million copies. The ups and downs of my publishing career, combined with my years of teaching, have allowed me to see writing from many angles, and have given me the opportunity to think about what makes for a successful novel--both critically and in terms of readership. Over the years, through thousands of hours of trial and error, I have learned how to craft a plot that attracts publishers and engages readers. In this course, I share those techniques with you.
Join us, and make 2017 the year you commit to writing your novel.
Michelle Richmond is the author of five novels, including the New York Times bestseller The Year of Fog, and two award-winning story collections. Her books have been sold in 28 languages. She has taught in the MFA programs in creative writing at the University of San Francisco, California College of the Arts, St. Mary's College of Moraga, Bowling Green State University, and Notre Dame de Namur University, where she held the Catherine Julie Cunningham Chair. She has also taught novel writing online for Stanford Continuing Studies. She earned an MFA in Creative Writing from the University of Miami, where she was a James Michener Fellow. She is the founder and publisher of Fiction Attic Press.
Michelle's articles on narrative craft have appeared in The Writer's Chronicle, Writer's Digest, and Glimmer Train's newsletter for writers, and her essays about literature have appeared in The Believer and Oxford American. Her stories and essays have also appeared in Glimmer Train, The Kenyon Review, The Missouri Review, The Telegraph, The Guardian, Lonely Planet, and many other magazines, newspapers, and anthologies.